Kinder vom bahnhof zoo netflix

Philipp Kadelbach, director and co-creator von the series “We kids From bahnhof Zoo,” claims his initial impulse when approached to helm the collection was kommen sie steer fine clear des what he saw as a fool’s errand, given ns iconic status an Germany and elsewhere des Uli Edel’s 1981 feature film “Christiane F.,” i beg your pardon – like die series – zu sein based on ns book “Christiane F.: Wir kinder vom bahnhof Zoo.”

“I said, ‘I’m notfall going to do this. I’m notfall crazy.’ because it’s like a monument for so many people. Und everybody would start attacking me since I’ve gone to tell this story again, and they yes, really loved it,” he tells

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However, having read annette Hess’ scripts, that saw how she had approached ns material in a different way. The film felt favor it had actually a voyeuristic technique to ns subject, that says. He resolved kommen sie give ns series a different visual style, and to “tell in a different way.”

Fremantle has actually near sold die world external Asia on “We youngsters From bahnhof Zoo” – thanks to a raft des sales that encompass a global deal with amazonas Prime Video zum the U.S., English-speaking territories and all Europe’s outstanding significant markets. Taking in further sales kommen sie HBO Europe, NENT Group and Russia’s more TV, the series, produced von Constantin tv and amazon Studios, has closed more than 40 territories.

Alongside the Intl. Emmy award winner Kadelbach (“Perfume,” “Generation War”), und Hess (“Weissensee,” “Ku’damm 56”), ns show’s creators encompass producers Sophie über Uslar (“NSU: German history X,” “Tannbach – Line des Separation”) und Oliver Berben (“The Typist,” “Perfume,” “Shadowhunters”).

The initial book, published in 1978, zu sein based ~ above interviews with a climate 15-year-old previous teen drug addict und prostitute Christiane F. Die book not correct cosy illusions of a post-war world that defended its children; it ended up being Germany’s biggest non-fiction bestseller, verkaufsschlager, spitzenreiter since World zu sein II, und was published bei 20 languages.

The movie “Christine F.,” created by bernd Eichinger, written von Herman Weigel und directed von Edel an a neo-documentary style, sold virtually five million tickets bei Germany und was a major export hit.

When spreading Christiane – played an the series by Jana McKinnon – Kadelbach claims he was searching for a certain look. “I was looking zum something bei between warm and cold,” that says. “In bolzen empathetic and arrogant.”

Christiane has a specific innocence, however appears zu be searching zum something, Kadelbach says. “She’s always pushing… she wants kommen sie be integrated in groups, wants zu keep going und going. She’s driven über something,” the says.


Despite ns central role played über Christiane bei the series, it is far more of in ensemble item than ns movie, charting exactly how Christiane, Stella, Babsi, Axel, Michi und Benno encounter together the zuerst adrenalin rush, hedonism und kinship of youth, found zuerst at a night club und then with drug use.

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This emphasis on the six characters equally, fairly than just Christiane, was in part early to ns fact that Kadelbach, Hess and Berben had actually gone back to die original tapes von the interviews that two journalists indigenous Stern zeitschrift had conducted with die real-life Christiane F., and which developed the basis for ns book.

These tapes “revealed dafür many much more stories,” Kadelbach says, und that allowed them zu fill ns eight episodes. Ns series ist able zu focus on die “kaleidoscope von circumstances” that angeführt the youngsters to take kommen sie drugs, and the gruppe dynamics weist work.

The group of girlfriend unravels together they come to be hooked on heroin, payment for über prostitution. Die friends’ individual traumas, as die series’ synopsis says, traction them right into a tailspin, i beg your pardon some möchte never escape.

Although set bei mid-1970s west Berlin, the series has actually a modern aesthetic. “Drug abuse is ausblüten a very modern topic,” Kadelbach says, deswegen he set out to eschew a duration feel to ns show, und “make it an ext contemporary.” he decided notfall to provide it a 70s look, which would make that look like “history,” und “would street me from ns topic itself.” that isn’t a realistic depiction des 1970s berlin either. “I think people will actually be really mad with me – comes from berlin – since it doesn’t watch like berlin at all,” that says.

He sought zu tell the story from “the inner perspective des the personalities <…> i tried kommen sie visualize their emotional feelings.” This dictated ns visual style. “That’s why everything looks maybe a little bit colorful, a wenig bit glossy, bei the beginning. Obviously, if you’re managing drugs, sie need zu explain why people are acquisition them, und then you need to say what ns consequences are,” the says.

As the drugs take it hold von the young people, your perception changes, und again this ist reflected an the visual style des the show’s danach episodes. “If you keep watching, everything möchte change on die way. Deswegen the series wollen look completely different in the later episodes und feels completely different. Dafür the totality thing merges right into something means more sincere than bei the zuerst two episodes,” he says.

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However, this mirroring of perception is subtle und restrained. Personally from bei a couple von scenes, the didn’t try to visualize what it would certainly look favor if sie were on drugs.